News & Views of Phillips Since 1976
Thursday December 4th 2025

‘Movie Corner’ Archives

Movie Anniversaries!

Movies With a 50 Year Anniversary Jaws (1975)Dog Day Afternoon (1975)The Return of the Pink Panther (1975)Nashville (1975)Monty Python and the Holy Grail (1975)Barry Lyndon (1975)The Passenger (1975)Three Days of the Condor (1975)Bite the Bullet (1975) Some Movies With a 60 Year Anniversary Sound of Music (1965)Doctor Zhivago (1965)For A Few Dollars More (1965)Pierrot le Fou (1965)The Spy Who Came in From The Cold (1965)A Patch of Blue (1965)Help! (1965)The Shop on Main Street(1965)Juliet of the Spirits(1965)The Sons of Katie Elder(1965) Compiled by Howard McQuitter II of Movie Corner fame

Eddington (2025)

Eddington (2025)

from the series Movie Corner... 4/5 Stars Drama/Crime/Thriller  A24 and Square Peg By HOWARD MCQUITTER II  Eddington is a fictional town in New Mexico, but for some reason in my mind it seems like a real place. The movie begins with a homeless man babbling incoherently as he walks into Eddington at sunset. It's May 2020 and the town is under siege from the pandemic coronavirus (COVID-19) and a barrage of Black Lives Matter (BLM) protesters. In the midst of these unsettling events Sheriff Joe Cross walks into the local food market, the local bar, and other businesses while refusing to wear a mask even when the managers insist that he respect the protocol. Howard McQuitter II Joe Cross is married to Louise Cross, who is suffering from an unexplained malady. She's mainly a shut-in who spends much of her time making weird-looking dolls that seldom ever produce revenge. However, it won't be long before the governor orders lockdowns for the residents that Joe [...]

Right In The Eye: Live Movie-Concert Of Georges Méliès Films

Featured film at the 2025 Minneapolis-Saint Paul International Film Festival  By OLIVER STRICHERZ Another event that was quite popular at MSPIFF was Right In The Eye: Live Movie-Concert Of Georges Méliès Films, which included a collection of 12 short films made by early special effects pioneer, Georges Méliès, set to a live score composed and performed by French musician Jean-François Alcoléa. The films themselves, which include some of the earliest examples of stop-motion and double exposure, are still incredible more than 100 years post their creation, and could entertain a crowd alone. But, alongside Alcoléa’s score, they burst through the realm of creativity, leaving shock on my face and within me a deep feeling of childlike wonder. Editor’s Note: This film review by Oliver Stricherz first appeared in The Southerner, South High School’s newspaper, as part of a longer piece titled: In early April, film takes center stage—The Minneapolis-Saint Paul [...]

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