Posts Tagged ‘movies’
Movie Corner – Passing (★★★★★)
by Howard McQuitter II From a cinematic viewpoint, the rich black and white, crisp shadows inside and outside brownstone houses as well as the inside intimate jazz sessions are excellent. Passing displays for subtlety blossoms on celluloid. Passing is Rebecca Hall's debut film about two African American women, one is passing for white while the other is married to a dark-skinned Black man, at the time of the Harlem Renaissance when Black figures like Zora Neale Hurston, Langston Hughes, Alain Locke, Jean Tommer, Claude McKay, Augusta Savage, Aaron Douuglas, Louis Armstrong, Duke Ellington, Countee Cullen are on the scene particularly in Harlem. Passing is based on the novel by Nella Larsen, who comes from a mixed background, similar to Hall. Hall gets to the central characters immediately with Clare Kendry Bellew (Ruth Negga) and Irene “Reenie” Redfield [...]
Movie Corner: Last Night in Soho
Universal (2021) ★★★★★ By HOWARD MCQUITTER II Last Night in Soho to its credit is quite spellbinding, thanks in large part to cinematographer Chung-hoon Chung (who also is the cinematographer with director Edgar Wright's Shaun of the Dead and Hot Fuzz . What director Edgar Wright does convincingly well is how he segues genres, drama, horror and mystery. Adding to this fascinating film is a tribute to many 1960s rock/R&B songs. (The title for Last Night in Soho is a reference to a 1960s rock band, Dave Dee, Dozy, Beaky, Mick & Tich.) The story begins with a young woman, Eloise (Thomasin McKenkie from JoJo Rabbit), with big aspirations to go London to be a fashion designer but not without a warning about moving to the big city from Peggy (Rita Tushingham). Eloise loves 60s music and styles. Her first nights are in the dorm with some other students who love to party and go to bars. She feels out of place [...]
Something I Said: Mario and Melvin
By DWIGHT HOBBES The original title of Mario Van Peebles’ Baadasssss! (Sony Pictures, 2003) was How To Get The Man’s Foot Outta Your Ass, entirely fitting for the social commentary his father Melvin Van Peebles’ film Sweet Sweetback's Baadasssss Song (Yeah, Inc., 1971) put forth in a time when grassroot black America had grown sick and tired of this country kicking us around to keep us down. Indeed, Baadasssss! is a dramatized, making of historic document, looking at what went into Melvin returning the favor and putting his foot in American cinema’s behind, profoundly challenging its cherished tenet of supremacist propaganda. There is a reason, after all, The Black Panther Party for Self-Defense lauded it, in Huey Newton's words as "the first truly revolutionary…" that, in the opening credits, starred "The Black Community," It became required viewing for Party members. There is the same reason Bill Cosby, who’d narrated CBS’ Black History: Lost, Stolen or Strayed [...]
