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News & Views of Phillips Since 1976
Friday July 19th 2024

‘Arts’ Archives

Phoenix Deadline May 30th: This is My Story

BY PATRICK CABELLO HANSEL The third issue of The Phoenix of Phillips, our local literary magazine, will be published early this summer. The theme is “This is My Story”. We are looking for poems and reflections that tell your story, big or small: who you are, how you came to be in Phillips, what your hopes are for our neighborhood. Anyone who lives or works in Phillips, of any age and any ability are invited to submit. Deadline is May 30. E-mail your work to stpaulscreate@gmail.com, or mail it to: The Phoenix of Phillips, c/o St. Paul”'s Lutheran Church, 2742 15th Ave. S. Minneapolis, MN 55407

“Hail Caesar”

“Hail Caesar”

“Hail Caesar” **** Comedy/Mystery PG13 Our beloved Minneapolis (St. Louis Park, exactly) native directors, brothers Joel and Ethan Coen, bring forth “Hail, Caesar!”, another off-the-wall comedy, screwy, boisterous similar to their other comedies “The Big Lebowski”(1997), “O Brother, Where, “Burn After Reading” (2008). Like an old-school western, the Coens”' “Hail, Caesar! “rewinds the clock back to the Hollywood of the 1950s. What “Hail, Caesar!” does for me”“at least”“in the nostalgic sense, when I was a boy sitting in a theater (one screen) watching the fullness of CinemaScope, the new larger than life invention in 1953.There”'s a lot here that more than meets the eye, I mean, in “Hail, Caesar!”, especially for a baby boomer like myself. To start off, Eddie Mannix (Josh Brolin) is the head of Capitol Studios with his loaded hands of keeping a struggling studio [...]

“The Embrace of the Serpent”

“The Embrace of the Serpent”

“The Embrace of the Serpent” Colombian ***** 2015 Adventure/Drama/History  Not Rated “The Embrace of the Serpent” is filmed in black and white (except for a few emblazon moments), a film that takes us to the Amazon with haunting, remoteness and mysterious pace. Director Ciro Guerra”'s film is unique in every sense of the word, in the sense he depicts genocide of indigenous peoples of North and South America through the eyes of an indigenous person rarely done by Western filmmakers. The film”'s first character is shaman Karamakate (as a young man played by Nilbio Torres) comes across a sick German ethnographer named Theodor Koch-Grunberg (Jan Bijvoet) looking for yakruna, a plant said to have healing powers, and Karamakate may be the only one that knows where it is. This is in 1909, at a time European industrialists and missionaries, wittingly or unwittingly, are destroying the forests by cutting trees for rubber or forcing religion down [...]

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